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Ink & Quill
Collective

QuillMark Issue #2

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Ghosts In The Garden

Hibiscuses, hydrangeas, poinsettias, peonies 

preen under the bulbous yellow moon 

whose belly hangs low in the sky 

like a fat man bending to look at his children.

They stretch out wide and full, 

showing off even in their sleep,

vying for the moon’s attention, 

because the day sends them no visitors like it used to. 

 

These days, only spirits arrive, 

mostly at night: 

the souls of dreaming children 

remembering their garden. 

They fill their lungs with scent 

to sweeten the days that keep them home 

as a virus cleaves the world into 

lives and live-nots: 

on one side, the blessed;

on the other, the unlucky

or the unwise.

 - Ashni Mohnot

Artwork - Garden | 1960 | Okiie Hashimoto

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During the pandemic, I was struck by absences - of noise in the street, of people in public spaces, and of social stimulation, especially for children. My son was 2.5 when Covid hit, and my heart would splinter a little every time I saw him stand at the window, looking out at a world that had walled him in. This is the inspiration behind this poem. 

Ashni Headshot Photo_Compressed_KJG9193-min - Ashni Mohnot.JPG

Writer, Editor

Ashni Mohnot

During her undergraduate years at Stanford, Ashni studied with eminent writers, co-taught an ‘Indian Writing in English’ class, and helped edit a political fiction anthology while pursuing her English (Creative Writing) degree. Over 20 years after her Master’s from Stanford, she built a portfolio of careers before returning to her first love – fiction. Married with two children, she lives in Mumbai and serves as the managing editor at a marketing agency while writing her first novel. 

Previously, she launched an ed-finance venture pioneering Income Share Agreements that won her an Echoing Green fellowship, speaking opportunity at Davos, and coverage in WSJ and The Economist; counselled students for admission into the world’s top colleges; helped grow her family’s business in hospital products; developed curricula on social justice movements; and wrote and edited content for multiple industries. She is a Mensa member and the founding curator of WEF’s Global Shapers Mumbai hub. 

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Artwork - Parmelee Garden | 1920 | Dora Louise Murdoch

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