
In the Street
Her poem is a bulb on the raw wound of
feelings that flutter like drunk soldiers
and swell like words in a parenthesis.
Last night my poem pushed wet nose into
open palm and loved to lick your
ice-cream eyes, your sleepy khadis,
anti-nuke blasts, expensive poverty.
This morning, the streets that winked and sealed
their lips when some guy hit a girl with a scream that bled.
The streets that I called home and you called home. The streets
they just sat like bow-tied collars round our necks
and shone in the last limp flare of petromax.
At dusk the street was home to a love that grew
up in the oil of local fries by the banks of open
BBMP drains. And I, I scrabbled in
loose mud to peck and eat from your speeches
fallen to the ground.
Come back my love. Let us chew, once again, from
each other’s poems and act as if we pick our way
through rich fields of golden corn.
Let us in the ripening dawn plunge like peasants’ huts
into swelling floods and sweep away into the sea
that leap straight up to the skies.
Where are you come back my poem my love my poem.
I cannot tell one from the other.
- Revathi Siva Kumar
Artwork - Street at Night, Meudon| 1910 | Gwen John

‘In the Street’, is about a gully in a slum that I cross every morning. It narrates the feelings harboured by residents, which are like poems exchanged by lovers, but often don't do more than some bare pickings fallen in the dust. The poem is inspired by an anguish felt by privileged persons like me, who harbour delusions of activism, but fail to do much. In the line, “This morning, the streets that winked and sealed their lips…” captures the attitude of the upper classes, who look away and cannot disturb the status quo.
Revathi Siva Kumar is a professional journalist, struggling writer and wannabe poet. She has contributed to national and global media platforms in the print and digital world and has even picked up some accolades by accident. Dabbling in political, social, cultural and developmental sectors, it is her passion to ferret out and reach the root of every issue – both material and immaterial. She feels wowed by Words that are framed with Silences and tries to slip through them to touch the skies without falling – even if mostly failing. She is fascinated by the existential potence of J Krishnamurti, the compassionate humanism of M K Gandhi as well as the courageous grit of all the wonderful women who have slammed open the multiple doors and windows of her world.

Writer, Poet, Journalist
Revathi Siva Kumar
Artwork - New York | 1911 | George Bellows










