QuillMark Issue #3
QuillMark Issue #3
Haiku
Lake mirrored sky
Kwa-loop! my cupped hands unite
a fleeting embrace
***
Dew-washed flower
at morn, to honeysuckle
beckons her amour
Debi Mukherjee
at fifty in the salty sea
first timer in a bikini
a hermit crab smiles
***
summer squeezes colour
like a dying toothpaste tube
plop! a messy splotch
***
butterfly on a road divider
flirting with the breeze
new leaves pinken
Smita Vyas Kumar
Springing from the courtyard onto my blank page, leaf shadow.
***
Scattering pollen gold on magenta bracts, the premonition of a bee.
***
Droopy butterfly caught within leaf chrysalis, this summer drought.
Sushmita Sridhar
Mist clings to headphones
Night hums through the city—
neon swallows my coat
***
A half-moon tilts my neck
I drink the moon—
only the cup remains
Tess James
tea at dusk with you—
the kettle holds its hiss,
storm gathering inside
Anasuya Ray

Debi Mukherjee
Debi writes fiction, essays, and poetry exploring identity, resilience, and relationships within social contexts. After eighteen years in corporate life, she now focuses on literary work marked by emotional precision and restraint. Her pieces appear in Usawa, Kitaab, FemAsia, and The Hours of the Sun, while she develops longer fiction.

Smita Vyas Kumar
Smita Vyas Kumar, an IIM Bangalore alum, has explored diverse roles from entrepreneurship to writing, always anchored by her love for poetry. Her work appears in anthologies across India and the UK. A connector at heart, she shares her writing online and lives in Mumbai with her family and cat.

Sushmita Sridhar is a writer and artist and lives in Bangalore. She enjoys photography, travel, and spending time with her dog Chikoo.
Sushmita Sridhar

Tess James
Tess tends a food garden that somehow funds her writing. Music she practices daily, teaching the form to a few students navigating learning difficulties.
In a parallel life, she loves designing systems: permaculture implementations, educational frameworks, ecological business solutions, regenerative branding for small organizations. The scale stays small—personal to small-org—where intimacy is felt and seen.
Currently: a newsletter studying craft across 52 Nobel laureates, a poetry collection being ruthlessly edited for the first time and a non-fiction book in progress.

Anasuya Ray
Anasuya is a very novice and naïve poet. She stumbled upon verses very young, in the form of Bangla rhymes or chhoras, and as a little girl she could recite them on and on. Later, with her brother, she took on the role of teaching him all the rhymes with all the accompanying body movements—which he vehemently refused!
After school, poetry in her life slipped into a long slumber until last year. she was at the Himalayan Writing Retreat doing a workshop called The Storyteller’s Way, conducted by Ameen Haq from Storywallahs. Through those three days, as she travelled through her own time tunnel, moving one stone at a time, she found words in every dark corner. And as she kept going and collecting those words, verses tumbled out of her. She has been writing on a daily basis ever since.
She tries to put these words into some form and you can find them on flakehub.org.


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